Each has Volume, Drive, and Tone controls, and they can be blended to taste. The KOT is two-sided, with independent settings. At its core, the King of Tone is a modified Marshall Blues Breaker pedal, meticulously dimed to the point where it has its own character – an adult overdrive pedal for guitarists who want to maintain the integrity of their rig but increase gain in the tastiest possible way. Piera calls the latest iteration Version 4. Also, Analog Man founder Mike Piera has a waiting list for the pedal. If you feel a severe bout of eye-rolling coming on, ask Jimmy Herring, Carl Verheyen, Luther Dickinson, or Gary Clark, Jr. Amid this golden age of music gear, the Analog Man King of Tone Overdrive, first produced in 2005 in collaboration with Jim Weider, heads a distinguished list of “Holy Grail” stompboxes.
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